Eliades Ochoa releases ‘Tributo al Cuarteto Patria’ (2000)
Eliades Ochoa‘s ‘Tributo al Cuarteto Patria’ is an album dedicated to the band he now leads and released on September 12, 2000 by Higher Octave
Track Listing : 1.Son A La Casa De La Trova (Julio Rodriguez) – 05:00 . 2.No Quiero Celos (Eliades Ochoa) – 04:14 . 3.Yiri Yiri Bon (Eliades Ochoa) – 05:00 . 4.Si Sabes Bailar Mi Son (Eliades Ochoa) – 04:38 . 5.Tiempo Entero (Eliades Ochoa) – 07:14 . 6.Por Culpa De Las Mujeres (Faustino Oramas) – 06:00 . 7.Que Murmuren (Rubén Fuentes) – 03:11 . 8.Me Voy Pa Sibanicu (Faustino Oramas) – 05:56 . 9.Si En Un Final (Juan Arrondo) – 03:33 . 10.Calderito De Tostar Café (Eliades Ochoa.4:50 . 11.Cuando Ya No Me Quieras (Eliades Ochoa) – 02:53 . 12.Que Sabroseao (Eliades Ochoa) – 03:50 . 13.Clara Bella (Francisco Repilado) – 06:40
Anton Corbijn
Musicians : Eliades Ochoa – Guitar, Vocals . Rey Cabrera – Tres . William Calderon – Bass . Rafael Casacó – Guitar . Armando Machado – Bass . Angel Martinez – Bass . Eglis Ochoa – Guiro, Maracas, Vocals . Humberto Ochoa – Guitar, Vocals . Joaquín Solórzano – Percussion . Roberto Torres – Percussion
Production : Produced By Eliades Ochoa Bernie Grundman – Mastering . Pedro Castro – Engineer . Clark Germain – Engineer, Mixing
Package : Joan Tomás – Photography . Anton Corbijn 
– Cover Photo
Recorded .
Released On September 12, 2000 By Higher Octave.
(Source Eliades Ochoa – Tributo al Cuarteto Patria | Official Website)
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allmusic
Ochoa displays a passionate voice which is a good partner for his expert guitar playingand overall this is a nearly flawless portrait of great Cuban music. […]
Exclaim!
Fans of Ochoa’s wonderful solo album of 1999, Sublime Illusion, will feel instantly at home here in his effortless renderings, which cover the full 60 years of the band’s life, largely because Ochoa’s work, available in these climes already, imbibes all those sounds and sensitively mixes them into timelessness. […]
RootsWorld
An interpretation of the Beny Moré classic “Yiri Yiri Bon” takes the music back to its roots; indeed, in 1958 Eliades performed the son for Moré to the singing great’s delight as he was having his shoes shined on the street in Santiago. […]
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