Freddie Hubbard & Woody Shaw record ‘The Eternal Triangle’ for Blue Note (1987)
‘The Eternal Triangle’ by Freddie Hubbard & Woody Shaw is an album recorded on June 11, 1987 with Ray Drummond, Carl Allen, Mulgrew Miller and Kenny Garrett and released the same year by Blue Note.
Track Listing : 1.Down Under (Freddie Hubbard) – 07:35 . 2.The Eternal Triangle (Sonny Stitt) – 07:49 . 3.The Moontrane (Woody Shaw) – 06:30 . 4.Calling Miss Khadija (Lee Morgan) – 06:40 . 5.Nostrand And Fulton (Freddie Hubbard) – 06:12 . 6.Tomorrow’S Destiny (Woody Shaw) – 07:06 . 7.São Paulo (Kenny Dorham) – 08:13 . 8.Reets And I (Benny Harris) – 06:40
Musicians : Freddie Hubbard – Trumpet, Flugelhorn . Woody Shaw – Trumpet . Kenny Garrett – Alto Saxophone, Flute . Mulgrew Miller – Piano . Ray Drummond – Bass . Carl Allen – Drums
Production : Produced By Michael Cuscuna Rudy Van Gelder – Engineer
Recorded On June 11, 1987 – June 12, 1987 .
Released In 1987 By Blue Note.
(Source ‘The Eternal Triangle’ by Freddie Hubbard & Woody Shaw | The Official Website of Freddie Hubbard)
Freddie Hubbard & Woody Shaw ‘ />READ
Doug Payne – Sound Insights
The aura of timelessness is present here in this neo-bop setting that could have easily emanated from 1962 as it did from 1987. Part of the group’s success is getting caught marvelously in Rudy Van Gelder’s superb sound structure, less like the pin-drop perfection of Double Take and more like the sterling signature work he’s since done for so many labels like Criss Cross, Venus, HighNote and others. […]
Bop and Beyond
Hubbard is his usual spit-fire self, blasting the high notesand often getting ahead of himself. Shaw is the more introverted player, deftly melodic, with an ear for intricate harmony. The contrast shows off both men’s abilities quite nicely. […]
allmusic
You’d be hard-pressed to find another pairing of great jazz trumpeters that made music as spectacular as is heard on this essential recording, perfect or fans, students, or those who simply love a hard-swinging, boldly played brass horn or two. […]
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