Al Green releases his fifth album : ‘I’m Still in Love with You’ featuring ‘Love and Happiness’ (1972)
Al Green‘s ‘I’m Still in Love with You’ is his fifth studio album released on October 23, 1972 by Hi.
WATCH
https://www.youtube.com/playlist?list= PLfjYYAcNBVjXPCrJpK0KTjbVU6y3a9KUF in url
1 . I’m still in love with you
4 . Simply Beautiful {Live, Acoustic}
5 . Simply Beautiful
6 . For The Good Times
7 . Look What You Done For Me (Live)
Track Listing : 1.I’M Still In Love With You (Al Green, Al Jackson, Jr., Willie Mitchell) – 03:12 . 2.I’M Glad You’Re Mine (Al Green) – 02:57 . 3.Love And Happiness (Al Green, Mabon Hodges) – 05:07 . 4.What A Wonderful Thing Love Is (Al Green) – 03:40 . 5.Simply Beautiful (Al Green) – 04:11 . 6.Oh, Pretty Woman (Bill Dees, Roy Orbison) – 03:23 . 7.For The Good Times (Kris Kristofferson) – 06:27 . 8.Look What You Done For Me (Al Green, Al Jackson, Jr., Willie Mitchell) – 03:05 . 9.One Of These Good Old Days (Al Green) – 03:24
Musicians : Al Green – Vocals . Howard Grimes – Drums . Jack Hale – Trombone . Charles Hodges – Drums, Organ, Piano . Leroy Hodges – Bass . Mabon Teenie Hodges – Guitar . Al Jackson, Jr. – Drums . Ali Muhammed Jackson – Drums . Wayne Jackson – Trumpet . Ed Logan – Tenor Saxophone . Andrew Love – Tenor Saxophone . James Mitchell – Baritone Saxophone . Donna Rhodes – Background Vocals . Sandra Rhodes – Background Vocals . Charles Chalmers – Background Vocals . Sandra Chalmers – Background Vocals
Production : Produced By Willie Mitchell . Charles Chalmers, James Mitchell . Willie Mitchell – Engineer . Larry Walsh – Mastering
Arrangements : Charles Chalmers, James Mitchell
Package : Robert Gordon – Liner Notes
Recorded In 1972.
Released On October 23, 1972 By Hi.
Love with You’ | RVM [Radio.Video.Music]’ />READ
Soul Tracks
A true testament to the passion of driven men, through Hi Records Al Green and Willie Mitchell produced four stellar, critically and commercially acclaimed recordings within 24 months-a feat never before or never since mirrored. […]
Rolling Stone
Whether Al Green is a better singer than Otis Redding is a question that doesn’t interest me, although I prefer Green’s iridescent falsetto to Redding’s rougher, gruffer voice. […]
PopMatters
Instead, what I was so taken with on that first listen—and what takes me every time I play it—is how it evokes moments of beauty so intense that I lose my consciousness in them. […]
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